Andrés Senn
André Sans’ work explores the intersection of art and computation, using generative and procedural processes to create digital images that challenge conventional aesthetics.
His practice centres on the development of custom algorithms, systems that generate, distort, and reconfigure visual forms in ways that are both structured and unpredictable.
His focus lies on creating these algorithms that act as matrixes of prints in the digital age, a concept that he defines as “generative art”
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These algorithmic “matrixes” act as digital printmakers, producing images that reflect the complexity and abstraction of the digital age. Rather than focusing on static outcomes, Sans is interested in the process itself: how code can become a creative tool, and how randomness and repetition can reveal new visual languages.
At Oxford North, Senn’s work resonates as a meditation on the role of technology in shaping culture. In a landscape designed for thinking, making, and exchanging ideas, Sans offers a compelling vision of how digital innovation can be both analytical and poetic
Andrés Senn lives and works in Argentina.
